Skip to main navigation menu Skip to main content Skip to site footer

Articles

Vol. 49 No. 1 (2024): Special Issue Staging Strategies: Trends in Canadian Drama and Performing Arts

Representing the Refugee Body: Liminality, Precarity, and Alterity in Ahmad Meree’s Suitcase/Adrenaline

Submitted
June 24, 2025
Published
2025-06-24

References

  1. Balfour, Michael. “Refugee Performance: Encounters with Alterity.” Journal of Arts and Communities, vol. 2, no. 3, 2012, pp. 177-95, https://doi.org/10.1386/jaac.2.3.1771.
  2. Butler, Judith. Precarious Life: The Powers of Mourning and Violence. Verso, 2004.
  3. Chiaro, Delia. “Translation and Humour, Humour and Translation.” Translation, Humour and Literature: Translation and Humour Volume 1, edited by Delia Chiaro, Bloomsbury, 2012, pp. 1-32. ProQuest Ebook Central, ebookcentral-proquest-com. proxy.library.carleton.ca/lib/oculcarleton-ebooks/detail.action?docID=742621.
  4. Dugalin, Istvan. “Suitcase/Adrenaline: Theatre Mada, Theatre Passe Muraille.” Istvan Reviews, 23 Jan. 2020, istvandugalin.com/2020/01/23/suitcase-adrenaline-passemuraille/.
  5. Fein-Goldbach, Debbie. “Suitcase/Adrenaline Is a Devastating Double Bill.” Now Toronto, 24 Jan., 2020, nowtoronto.com/culture/theatre/suitcase-adrenaline-ahmad-mereetheatre-mada-2.
  6. Fischer-Lichte, Erika. “The Art of Spectatorship.” Journal of Contemporary Drama in English, vol. 4, no. 1, 2016, pp. 164-79, https://doi.org/10.1515/jcde-2016-0013.
  7. —. “Performance as Event — Reception as Transformation.” Theorising Performance: Greek Drama, Cultural History and Critical Practice, edited by Edith Hall and Stephe Harrop, Bloomsbury, 2010, pp. 29-42. ProQuest Ebook Central, ebookcentral-proquest-com.proxy.library.carleton.ca/lib/oculcarleton-ebooks/detail.action?docID=1394940.
  8. Goldring, Luin, and Patricia Landolt. Producing and Negotiating Non-Citizenship: Precarious Legal Status in Canada. U of Toronto P, 2013.
  9. Jeffers, Alison. “‘We with Them and Them with Us’: Diverse Cultural Performances.” Refugees, Theatre and Crisis: Performing Global Identities, edited by Alison Jeffers, Palgrave Macmillan, 2012, pp. 110-47, https://doi.org/10.1057/9780230354821.
  10. Knowles, Ric. “Foreword.” Suitcase/Adrenaline, by Ahmad Meree, Scirocco Drama, 2020, pp. 11-12.
  11. —. “Performing the Divided Self: The Refugee Theatre of Ahmad Meree.” Canadian Literature, no. 252, 2023, pp. 57-78.
  12. Lucas, Ilana. “Review: Suitcase/Adrenaline (Theatre Mada and Theatre Passe Muraille).” Mooney on Theatre, 23 Jan. 2020, www.mooneyontheatre.com/2020/01/23/reviewsuitcase-adrenaline-theatre-mada-theatre-passe-muraille/.
  13. Meree, Ahmad. “The Interview — Ahmad Meree.” 14 Dec. 2021, jgshillingford.com/theinterview-ahmad-meree/.
  14. —. Personal communication with the author. 9 Aug. 2022.
  15. —. “Playwright’s Notes.” Suitcase/Adrenaline, by Ahmad Meree, Scirocco Drama, 2020, 9-10.
  16. —. Suitcase/Adrenaline. Scirocco Drama, 2020.
  17. —. Suitcase (English Subtitles). Recording of play shared by playwright/actor. 2020.
  18. MT Space. “About MT Space.” mtspace.ca/about-mtspace/.
  19. —. “I Don’t Know.” mtspace.ca/i-don’t-know/.
  20. Nobe-Ghelani, Chizuru, and Anh Ngo. “In Search for Ethical Relations in Social Work with Refugees [sic] Communities: Ref lections on the Syrian Refugee ‘Crisis.’” Canadian Social Work Review, vol. 37, no. 1, 2020, pp. 63-79, https://doi.org/10.7202/1069982ar.
  21. Povinelli, Elizabeth A. The Cunning of Recognition: Indigenous Alterities and the Making of Australian Multiculturalism. Duke UP, 2002.
  22. Purcell-Gates, Laura. “Spectacular Bodies, Unsettling Objects: Material Performance as Intervention in Stereotypes of Refugees.” Migration and Stereotypes in Performance and Culture, edited by Yana Meerzon et al., Springer International, 2020, pp. 39-55, https://doi.org/10.1007/978-3-030-39915-3_3.
  23. Ridout, Nicholas, and Rebecca Schneider. “Precarity and Performance: An Introduction.” The Drama Review, vol. 56, no. 4, 2012, pp. 5-9. JSTOR, www.jstor.org/stable/23362768.
  24. Simmons, Taylor. “‘Life Gave Me Another Chance’: 2 Plays Written by Syrian Refugee, Playwright Open in Toronto.” CBC News, 18 Jan. 2020, www.cbc.ca/news/canada/toronto/adrenaline-suitcase-ahmad-meree-1.5431441.
  25. Skjoldager-Nielsen, Kim, and Joshua Edelman. “Liminality.” Ecumenica, vol. 7, nos. 1–2, 2014, pp. 33-40, https://doi.org/10.5325/ecumenica.7.1-2.0033.
  26. Street, Anna. “Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle.” Sillages Critiques, vol. 31, no. 1, 2021, https://doi.org/10.4000/sillagescritiques.12495.
  27. Tolia-Kelly, Divya. “Diaspora and Home: Interrogating Embodied Precarity in an Era of Forced Displacement.” Routledge Handbook of Diaspora Studies, edited by Robin Cohen and Carolin Fischer, Taylor and Francis, 2018, pp. 214-22.
  28. Vermeyden, Anne Elizabeth, and Eid Mohamed. “Making Canada Home: Snapshots of Syrian and Iraqi Newcomer Cultural Production in the Waterloo Region, 2016-2019.” Refuge, vol. 36, no. 1, 2020, pp. 30-39, https://doi.org/10.25071/1920-7336.40588.
  29. Walia, Harsha. Border and Rule: Global Migration, Capitalism and the Rise of Racist Nationalism. Fernwood, 2020.