Skip to main navigation menu Skip to main content Skip to site footer

Articles

Vol. 49 No. 1 (2024): Special Issue Staging Strategies: Trends in Canadian Drama and Performing Arts

Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women

Submitted
June 17, 2025
Published
2025-06-24

References

  1. Adams, Montana. “Bearing Witness 101: Performance Resources offered by Montana Adams.” The Unnatural and Accidental Women, by Marie Clements, National Arts Centre of Canada, Sept. 2019, naccna-assets.s3.amazonaws.com/unnatural_and_accidental_-_study_guidefinal.pdf.
  2. Anderson, Kim, et al., editors. Keetsahnak: Our Missing and Murdered Indigenous Sisters. U of Alberta P, 2018.
  3. Archibald-Barber, Jesse Rae, et al. “Introduction: Perspectives on Current Practice.” Performing Turtle Island: Indigenous Theatre on the World Stage, edited by Jesse Rae Archibald-Barber et al., U of Regina P, 2019, pp. xiii-xxxvii.
  4. Bamford, Karen. “Romance, Recognition, and Revenge in Marie Clements’s The Unnatural and Accidental Women.” Theatre Research in Canada, vol. 31, no. 2, 2010, pp. 143-63.
  5. Canadian Press. Ottawa’s National Arts Centre Is Launching the World’s First Indigenous Theatre. YouTube, 4 Sept. 2019, www.youtube.com/watch?v=kJjFszAHkQM.
  6. Carter, Jill. “A Moment of Reckoning, an Activation of Refusal, a Project of Re-Worlding.” Canadian Theatre Research, no. 186, 2021, pp. 8-12.
  7. Chartrand, Vicki, et al. “Visualizing Grassroots Justice: Missing and Murdered Indigenous Women.” Lavell-Harvard and Brant, pp. 247-58.
  8. Claycomb, Ryan M. “(Ch)oral History: Documentary Theatre, the Communal Subject, and Progressive Politics.” Journal of Dramatic Theory and Criticism, vol. 17, no. 2, 2003, pp. 95-121.
  9. Clements, Marie. The Unnatural and Accidental Women. Talonbooks, 2005.
  10. Dean, Amber. Remembering Vancouver’s Disappeared Women. U of Toronto P, 2015.
  11. Decontie, Faith. “Honour Song: Indigenous Perspectives.” Culture Canada, 2023, culturecanada. co.uk/honour-song-indigenous-perspectives/.
  12. Dickinson, Peter. “Murdered and Missing Women: Performing Indigenous Cultural Memory in British Columbia and Beyond.” Theatre Survey, vol. 55, no. 2, 2014, pp. 202-32.
  13. Gilbert, Reid. “Marie Clements’s Unnatural and Accidental Women: ‘Denaturalizing’ Genre.” Theatre Research in Canada, vol. 24, nos. 1-2, 2003, pp. 125-46.
  14. Gunn, Brenda L. “Engaging a Human Rights Based Approach to the Murdered and Missing Indigenous Women and Girls Inquiry.” Lakehead Law Journal, vol 2, no. 2, 2017, pp. 89-116.
  15. Hargreaves, Allison. Violence against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier UP, 2017.
  16. Harper, Tim. “B.C. Man on Trial in Deaths of Women Killed by Booze.” Toronto Star, 12 Oct. 1988, p. A2.
  17. Harrison, K.R. “Music and Narrative in The Unnatural and Accidental Women: Interview Excerpts: Marie Clements, Sophie Merasty, and Columpa Bobb with Klisala Harrison.” Aboriginal Music in Contemporary Canada: Echoes and Exchanges, edited by A. Hoefnagels and Beverly Diamond, McGill-Queen’s UP, 2012, pp. 271-80.
  18. Jacobs, Beverly. “Honouring Women.” Anderson et al., pp. 15-34.
  19. Jobin, Shalene, and Tara Kappo. “To Honour the Lives of Those Taken from Us”: Restor(y)ing Resurgence and Survivance through Walking with Our Sisters.” Surviving Canada: Indigenous People Celebrate 150 Years of Betrayal, edited by Kiera L. Ladner and Myra
  20. J. Tait, Arp, 2017, pp. 131-48.
  21. Kubik, Wendee, and Carrie Bourassa. “Stolen Sisters: The Politics, Policies, and Travesty of Missing and Murdered Indigenous Women.” Lavell-Harvard and Brant, pp. 17-33.
  22. Lachance, Lindsay. The Embodied Politics of Relational Indigenous Dramaturgies. 2018. U of British Columbia, PhD dissertation, open.library.ubc.ca/cIRcle/collections/ubctheses/24/items/1.0363947.
  23. —. “Tiny Sparks Everywhere: Birch-Bark Biting as Land-Based Dramaturgies.” Canadian Theatre Review, no. 186, 2021, pp. 54-58.
  24. La Flamme, Michelle. “(Re)Animating the (Un)Dead.” Performing Indigeneity, edited by Yvette Nolan and Ric Knowles, Playwrights Canada, 2016, pp. 214-39.
  25. —. “Theatrical Medicine: Aboriginal Performance, Ritual, and Commemoration.” Theatre Research in Canada, vol. 31, no. 2, 2010, pp. 107-17.
  26. Langston, Patrick. “Moshkamo: Historic Opening for NAC’s Indigenous Theatre.” Artsfile, 15 Sept. 2019, artsfile.ca/moshkamo-historic-opening-for-nacs-indigenous-theatre/.
  27. Lavell-Harvard, D. Memee, and Jennifer Brant, editors. Forever Loved: Exposing the Hidden Crisis of Missing and Murdered Indigenous Women and Girls in Canada. Demeter, 2016.
  28. Livingston, Anne-Marie, and Sarah Hunt. “Honouring Elsie: Was She Just a Dream?” Anderson et al., pp. 45-62.
  29. Longstaffe, Meghan. “Indigenous Women as Newspaper Representations: Violence and Action in 1960s Vancouver.” Canadian Historical Review, vol. 98, no. 2, 2017, pp. 230-60.
  30. Lorenzi, Lucia. “Silent Witness and ‘Scenes of Hearing’ in Marie Clements’s The Unnatural and Accidental Women.” University of Toronto Quarterly, vol. 89, no. 1, 2020, pp. 126-44.
  31. MacKenzie, Sarah. “Community and Resistance in Marie Clements’ The Unnatural and Accidental Women.” Settler Colonial Studies, vol. 11, no. 2, 2021, pp. 118-33.
  32. Morrow, Martin. “The Unnatural and Accidental Women Strikes the Right Celebratory Note for Beginning of New Era at Ottawa’s National Arts Centre.” Review of Unnatural and Accidental Women, by Marie Clements. Globe and Mail, 17 Sept. 2019, www.theglobeandmail.com/arts/theatre-and-performance/reviews/article-the-unnaturaland-accidental-women-strikes-the-right-celebratory-note/.
  33. Nanabush, Wanda. “Idle No More: Strong Hearts of Indigenous Women’s Leadership.” The Winter We Danced: Voices from the Past, the Future, and the Idle No More Movement, edited by the Kino-nda-niimi Collective, Arp, 2014, pp. 341-43.
  34. National Inquiry into Missing and Murdered Indigenous Women and Girls. “Interim Report: Our Women and Girls Are Sacred.” www.mmiwg-ffada.ca/wp-content/uploads/2018/03/ni-mmiwg-interim-report.pdf.
  35. —. Reclaiming Power and Place. Part 1A, 2019. www.mmiwg-ffada.ca/wp-content/uploads/2019/06/Final_Report_Vol_1a.pdf.
  36. Native Women’s Association of Canada. “Annual Scorecard on the MMIWG2S National Action Plan.” 3 June 2022, nwac.ca/abc/media-1.
  37. Paget, Derek. “The ‘Broken Tradition’ of Documentary Theatre and Its Continued Powers of Endurance.” Get Real: Documentary Theatre Past and Present, edited by Alison Forsyth and Chris Megson, Palgrave Macmillan, 2009, pp. 224-38.
  38. “Race Bias Charged in Jordan Case.” Vancouver Sun, 22 Oct. 1988, p. A1.
  39. Ratsoy, Ginny. “Circles of Communities: Life and Art in the Creation and Production of Marie Clements’ The Unnatural and Accidental Women.” Playing the Pacific Province: An Anthology of British Columbia Plays, 1967-2000, edited by Ginny Ratsoy and James
  40. Hoffman, Playwrights Canada, 2001, pp. 473-76.
  41. Robinson, Dylan. “Introduction.” Hung ry Listening: Resonant Theory for Indigenous Sound Studies, U of Minnesota P, 2020, pp. 1-15.
  42. Rose, Chris, et al. “Bodies in the Barber Shop.” Vancouver Sun, 22 Oct. 1988, p. A12.
  43. Ruprecht, Alvina. “The Unnatural and Accidental Women: The Voices of the Disappeared Still Speak to Us in This Immersive Event.” Theatre Times, 15 Oct. 2019, thetheatretimes.com/the-unnatural-and-accidental-women-the-voices-of-the-disappeared-stillspeak-to-us-in-this-immersive-event/.
  44. Sarti, Robert, et al. “Mother’s Death Roused Suspicions: One of 10 Alcohol-Related Deaths Being Probed.” Vancouver Sun, 14 Dec. 1987, p. A8.
  45. Simpson, Leanne Betasamosake. As We Have Always Done: Indigenous Resurgence through Radical Resistance. U of Minnesota P, 2017.
  46. —. Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, Resurgence, and New Emergence. Arp, 2011.
  47. Stevens, Quentin, et al. “Counter-Monuments: The Anti-Monumental and Dialogic.” The Journal of Architecture, vol. 17, no. 6, 2012, pp. 951-72.
  48. Tootoosis, Tala. Ribbon Skirt Teachings. Filmed by Sidney Ray Shacter, 21 Sept. 2017, YouTube, www.youtube.com/watch?v=_qyWNvqdZVA.
  49. A Tribe Called Red. “Electric Powwow Drum.” The Halluci Nation, 2012, www.youtube.com/watch?v=cj3U0z64_m4.
  50. Tuck, Eve. “Suspending Damage: A Letter to Communities.” Harvard Educational Review, vol. 79, no. 3, 2009, pp. 409-27.
  51. Vellino, Brenda. “Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Leistner’s The Edward Curtis Project.” Theatre Research in Canada, vol. 38, no. 1, 2017, pp. 92-111.
  52. Walking with Our Sisters. “The Project.” walkingwithoursisters.ca/about/the-project/.