Vol. 52 (2025)

Vol. 52 (2025)

Published November 27, 2025
Front Matter
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From the General Editor / Mot du Rédacteur en Chef
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Notes on Contributing Authors / Notes sure les collaboratrices et collaborateurs
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Articles: Archives, Access, and Ethnomusicology / Archives, Accès et Ethnomusicologie

Laura Risk, Janice Esther Tulk
1 - 12
Introduction
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Pete Myadooma O’Connor, John Nyunjuma Divilli, Rona Goonginda Charles, Sally Treloyn
13 - 37
Dirna arrun “We Hold It”: Rematriating Junba with Archival Collections and Living Knowledge in the Kimberley, Northwest Australia
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Anne K. Rasmussen, Jared Holton, Anne Elise Thomas, Albert Agha
39 - 67
Heterophonic Mayhem in the Archive: The Poetics, Surprises, and Disruptions of Animating the Arab Musical Diaspora
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Farzaneh Hemmasi, Hannah M. Brown
69 - 100
Digital Ethnomusicological Research Data and the Institutional Repository
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Peter Toner
101 - 127
Archival Knowledge, Indigenous Knowledge, and Challenges in Collection Management: An Australian Case Study
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Nicole Madeleine Pooley
129 - 153
Epistemologies of Access: Hugh Tracey’s Organizing Principles at the International Library of African Music (ILAM)
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Marcia Ostashewski, Harris M. Berger, Darrell Bernard Sr. , Logan E. Clark, Michael Frishkopf, Judith Klassen , Maureen Loughran, Graham Marshall
155 - 174
Cultures of Sound Network: The Genesis of an International Alliance
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Rachel Horner
175 - 205
Finding What Is Lost: The Intangible Archive of València’s Falles Festival
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Articles: Voices / Voix

Robin Elliott
209 - 224
Canadian Music Studies and/under the Second Trump Presidency*
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Articles: Open Topics / Hors Thème

Nattapol Wisuttipat
227 - 254
Twerking, Alcohol, Ordination: Rethinking Sacred and Secular with Rot Hae’s Mobile and Participatory Performances in Thailand
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Ellen Waterman, Gale Franklin
255 - 284
Developing a Community-Engaged Research-Creation Methodology through the Resonance Project
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Tracey Mia Stewart
285 - 315
Navigating Power and Positionality in Ethnographic Spaces
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Book Reviews / Comptes Rendus de Livres

Tangmuyang Zhang
317 - 320
Stock, Jonathan P. J., with Chou Chiener. 2021. Everyday Musical Life among the Indigenous Bunun, Taiwan.
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Marie-Christine Parent
320 - 323
Martin, Denis-Constant. 2020. Plus que de la musique… Musiques, sociétés et politique, Caraïbes, États-Unis, Afrique du Sud.
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Robbie MacKay
323 - 326
Stanbridge, Alan. 2023. Rhythm Changes: Jazz, Culture, Discourse.
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Kati Szego
326 - 329
Donaghy, Joseph Keola. 2024. Mele on the Mauna: Perpetuating Genealogies of Hawaiian Musical Activism on Maunakea.
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Benjamin Tausig
329 - 331
Pilzer, Joshua. 2023. Quietude: A Musical Anthropology of “Korea’s Hiroshima.”
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Felicia K. Youngblood
331 - 333
Jacobsen, Kristina. 2024. Sing Me Back Home: Ethnographic Songwriting and Sardinian Language Politics.
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Exhibition Reviews / Comptes Rendus d’Expositions

Chris Greencorn
335 - 337
Retro: Popular Music in Canada from the ’60s, ’70s, and ’80s.
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Musical Transcriptions

Daoud Husni, Muhammad Younis Al-Kady, Anne K. Rasmussen, Anne Elise Thomas
Yamaima Hilwa: As sung by Salim Doumani with Takht Naim Karakand
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Maqām al-ḥijāz, Badi‘ Khayri, Sayyid Darwish, Jared Holton
Il-Ḥilwa Dī ("This Beautiful Girl")
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Maqām ḥijāz kār, Jared Holton
Yā Ghazālan ("Oh Gazelle"): موشّح (muwashshaḥ)
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